Learn about music with Paul Arnold
The transposition has been an experimental way where I have perceived answers that directly reach the body of the actor in epidrmica sensorial way/without the rational mediation that to everything tries to schematize and to catalogue. Hear other arguments on the topic with Teneo. The launched actor of the transcendncia, perceives its creation to separate itself of itself, however, for being impregnated of itself, he remakes the way of the creation, in what I call refluxo, transforming the creative body into body reached for the autonomy of its proper creation. Transposition I believe that, more than what to be free, the necessary creative process to be transcendente, that is, to go beyond the first language provided that it. It must if macerated and lead for other forms power of reverse speed-transfomao and transposition. The actor, when he transgresses its body leading the creation for it are of itself, without leaving to be impregnated of itself, resignifica this creation, potencializando the same one and generating multiple constructive possibilities that are not limited to the rational agreement of the gesture or the action. He reaches it to the agreement for other layers, alqumicos places that exist in itself and stops beyond itself. Its creative process is decanted by other languages, for other ways providing a contaminating and powerful force.
Such transposition causes epidrmico to a sensorial agreement/, something indizvel however, of fort to be able communicator. Transposing itself, the actor macerates itself, only regurgitates and reconstructs itself in an intense, contagiante and after-corporal accomplishment that reaches the body again, that now as purificadora plague. Epidrmico cognitivo Estranhamento Of the transposition and maceration of hiposigno, appears nuance power with great capacity of refluxo. Such nuance, intensely reaches mago of the actor, generating a epidrmico cognitivo estranhamento, that is, something that arrives for I infect, stops beyond the reflexiva action that costuma to guide the work of the actor. Aesthetic after-corporal the aesthetic one after corporal is the trespass of the limits of the body as full element of construction of the actor.